studioe

b. Alexandria, VA; Lives and works in Seattle, WA

Thompson is a devotee of the pre-modern both in terms of her imagery and use of medieval techniques such as enamel painted and wheel-engraved glass. While visionary and sacred scenes from diverse cultures inspire Thompson's imagery, so does contemporary experience. The enamel-on-glass painting Cosmic Woman (2018), for example, offers a female rendition of the ancient Jainian personification of the cosmos.  Elsewhere, stylized giant tulips are borrowed from Pennsylvania Dutch lace and Fraktur drawing, and feather-clad harpies hail from Greek mythology and Russian folk art alike.  The reverse-painted Verdant Black Madonna (2015) proffers a folk rendition of the Polish Gothic dark-skinned figure thought to be a pagan earth goddess rechristened as the Virgin Mary. Thompson builds on accumulated and coinciding histories such as these, highlighting connections among cultures and peoples across time and globe.  
—Melissa E Feldman

PRESS: “Seattle artist displays intricate glasswork, medieval techniques” By Gayle Clemans, February 6, 2025 The Seattle Times ︎

New Day Northwest with Nancy Guppy, February 27, 2025 King 5 ︎

Art Zone: Cappy Thompson, visual artist, by Pete Cassam and Annabel Cassam, November 9, 2023 Seattle Channel︎




reverse painted vessles