studioe
Cappy Thompson
CV | Website | #thompsoncappy
EXHIBITIONS
current
Thinking of Angels, March 8 - April 19, 2025
artist talk April 5th at 2pm
past
Indie Folk: New Art and Sounds from the Pacific Northwest, Hallie Ford Museum of Art, Salem, OR, Sept 28 - Dec 2, 2024
Seattle Art Fair, July 2024
TREE Vashon Center for the Arts, Vashon WA, June, 2019
Uses of History, guest curated by Melissa Feldman, studio e, Seattle WA, June, 2019
1 ROOM: A special exhibition in conjunction with the Seattle Art Fair, August, 2018
CV | Website | #thompsoncappy
EXHIBITIONS
current
Thinking of Angels, March 8 - April 19, 2025
artist talk April 5th at 2pm
past
Indie Folk: New Art and Sounds from the Pacific Northwest, Hallie Ford Museum of Art, Salem, OR, Sept 28 - Dec 2, 2024
Seattle Art Fair, July 2024
TREE Vashon Center for the Arts, Vashon WA, June, 2019
Uses of History, guest curated by Melissa Feldman, studio e, Seattle WA, June, 2019
1 ROOM: A special exhibition in conjunction with the Seattle Art Fair, August, 2018
b. Alexandria, VA; Lives and works in Seattle, WA
Thompson is a devotee of the pre-modern both in terms of her imagery and use of medieval techniques such as enamel painted and wheel-engraved glass. While visionary and sacred scenes from diverse cultures inspire Thompson's imagery, so does contemporary experience. The enamel-on-glass painting Cosmic Woman (2018), for example, offers a female rendition of the ancient Jainian personification of the cosmos. Elsewhere, stylized giant tulips are borrowed from Pennsylvania Dutch lace and Fraktur drawing, and feather-clad harpies hail from Greek mythology and Russian folk art alike. The reverse-painted Verdant Black Madonna (2015) proffers a folk rendition of the Polish Gothic dark-skinned figure thought to be a pagan earth goddess rechristened as the Virgin Mary. Thompson builds on accumulated and coinciding histories such as these, highlighting connections among cultures and peoples across time and globe.
—Melissa E Feldman
PRESS: “Seattle artist displays intricate glasswork, medieval techniques” By Gayle Clemans, February 6, 2025 The Seattle Times ︎
New Day Northwest with Nancy Guppy, February 27, 2025 King 5 ︎
Art Zone: Cappy Thompson, visual artist, by Pete Cassam and Annabel Cassam, November 9, 2023 Seattle Channel︎
Thompson is a devotee of the pre-modern both in terms of her imagery and use of medieval techniques such as enamel painted and wheel-engraved glass. While visionary and sacred scenes from diverse cultures inspire Thompson's imagery, so does contemporary experience. The enamel-on-glass painting Cosmic Woman (2018), for example, offers a female rendition of the ancient Jainian personification of the cosmos. Elsewhere, stylized giant tulips are borrowed from Pennsylvania Dutch lace and Fraktur drawing, and feather-clad harpies hail from Greek mythology and Russian folk art alike. The reverse-painted Verdant Black Madonna (2015) proffers a folk rendition of the Polish Gothic dark-skinned figure thought to be a pagan earth goddess rechristened as the Virgin Mary. Thompson builds on accumulated and coinciding histories such as these, highlighting connections among cultures and peoples across time and globe.
—Melissa E Feldman
PRESS: “Seattle artist displays intricate glasswork, medieval techniques” By Gayle Clemans, February 6, 2025 The Seattle Times ︎
New Day Northwest with Nancy Guppy, February 27, 2025 King 5 ︎
Art Zone: Cappy Thompson, visual artist, by Pete Cassam and Annabel Cassam, November 9, 2023 Seattle Channel︎
reverse painted vessles